Large scale cyanotype on 100%cotton Performative body prints Various dimensions 2024-ongoing Read More

Photographic series black and white, double exposure printed on Sugar Cane 300g white wooden frames, antireflexive glass 65x89.6cm Read More

Video, color, 19.52min Concept, text, voice: Larisa Crunțeanu Recordings, sound design, editing: Laurențiu Coțac Read More

Protocols of Singularity: An Artist on Artistic Practice By: Larisa Crunțeanu Editor: Petre Mogoș Translator: Miruna Fulgeanu Copy editor: Natasha Klimenko Graphic designer: Rose van Zijl Publisher: Dispozitiv Books 2023 Read More

Installation, sound performance, interactive website Romanian/English Exhibition and public space versions presented simultaneously Blue Sun - group exhibition hosted by the National Art Museum Timișoara September 2023 Read More

Sound, stereo, 19.18 min Text, voice: Larisa Crunțeanu Recordings, soundmix: Laurențiu Coțac Commisioned by Tentative Transmits:The Radio as G/Host, organized by Olivia Berkowicz and Marianna Feher. Read More

Audio guide, part of Didona series Performed live by the artist or individually by audience based on geolocation alongside tram line 16 Bucharest, september 2022 Read More

visual reference for the audio guide visual reference for the audio guide visual reference for the audio guide visual reference for the audio guide visual reference for the audio guide visual reference for the audio guide… Read More

In Under the Bridge, Larisa Crunteanu takes on space as both liminal and heterotopic. None of this story is visible, but all of it relies on its placement there, on a ‘tram island’, under the bridge. An exercise in slow ontology and a poststructuralist proposal of a stopframe of space as a projection surface. Read More

While living in Warsaw for a couple of years I had this weird feeling people on the street were secretly talking Romanian and not Polish. Although the two languages are very different, they share a specific sonic landscape in their usage of rough sounds, placed in the back of the mouth. Read More

Larisa Crunțeanu takes the exhibition beyond the present moment, in an anterior future. The absence, which is not nothingness, feeds the need of the mind for linearity, of stories that anchor the present... Read More

Sound design & video editing: Laurențiu Coțac Research and script: Jasmina Al-Qaisi Concept, script, voice: Larisa Crunțeanu October 2021 Read More

A former TV actress revisits the characters and actors that she co-starred in the popular Romanian soap-opera „Forbidden Love“, years after the show was aired. The amateur actors relive the shared experience on the set, going through the stories, the betrayal and the madness that made up their lives on screen. While they reflect upon their roles as part of a love triangle gone mad, the absurdities of fictional reality-tv become more and more visible. Were they just instruments in a plot written by an invisible hand or did they manage to create a humane story by their own modest means? Read More

Triptych metal structure composed of three rectangles of 65x150cm held between them with magnets, supporting a special coated PVC curtain with sewed interventions made by the artist, 186 x 150 cm Read More

Gestures of affection are doomed to be stuck, impossible to deroot from sex. Gestures of love cannot be described as body movement[1]. Intimacy, which does not always make sense, is what we fear and shift with language... Read More

In an unidentifiable derelict location, with metallic background noises that recall a factory or perhaps a railway depot, a nonhuman entity undergoes something akin to a beautifying ritual, but in reverse... Read More

Audio, stereo, 1.09 min Poster, b&w Read More

A series of dressing screens bearing quotes from characters from works of fiction, poetry and theater, characterized as 'hysterical', either within the same writing frame or in its criticism. Each triptich, named after a character, has a central panel with a quote from the respective character, a suggestion of itspossible  clothing and its architectural surrounding space at the time the central words were uttered. The material of the panels and the costumes is a very light organza, typical of wedding veils, and the printed quotes and architectural plans are realized in silkscreening technique, with a combination of ink and cement. Read More

A walk-in installation and scenography about collective consciousness that explores similarities between the architectural plan and the clothing cutting pattern. The work took inspiration from Sala Omnia, a historical building originally designed to host the meetings of the Romanian Communist Party, which will convert into the National Dance Centre in the near future. Read More

The audio script mixes monologues and dialogues in English, quotes from poetic and philosophical texts about consciousness and the self, political and administrative quotes defining nature and what is natural, replies from online discussion forums about consciousness, the possibility of knowing the truth or exemplifying errors in mathematical judgment, with warm sounds (recreated digitally) seemingly collected from natural environments—sounds that indicate human presence (laughter, sighs)—as well as sounds that imply a military atmosphere (marching, Morse code, trumpet calls). Read More

Video, color, 14.27min Camera, sound: Laurențiu Coțac In an idyllic natural landscape, a strange shape emerges from behind a hill and moves towards the camera. This amorphous shape appears to be two-dimensional, its contours filled with a digital image, as used in Adobe software to signify a missing picture. Read More

A short portrait of a modern peasant caught in a moment of rest during field work. The film is an attempt at capturing a glimpse of the character's relationship with nature, between functionality and contemplation. Read More

What makes somebody’s world? And how come a world can be owned? And what makes one’s world different from another’s? What’s left outside of it? All the other’s worlds. All the worlds. Their name? Worlds. Read More

Video, color, 6.45min realized by proxy through an interview for Digi TV Realized in collaboration with Sonja Hornung, as part of the research and exhibition project Femina Subtetrix In 2014, I began working with Sonja Hornung on Femina Subtetrix, a research and exhibition… Read More

I would manipulate people with my voice. I would have the most seducing voice. I would know how to sounds less aggressive when I ask for something. I would be able to pronounce the french rrr. I would have a speech impediment. I would have a big space between my two front teeth... Read More

Video (colour, sound), 11min., 2013-ongoing.  Each new presentation of the video is a recording of the previous one. Read More

Live performance, aprox 30 min National Dance Center CNDB Bucharest June 2010 Read More